Strip, by Nicolas Tourney & Compagnie En Aparté

Strip

by Nicolas Tourney & Compagnie En Aparté

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1.	Les Mots Doux 01:52	buy track
2.	Comme un Futur 04:51	buy track
3.	Viens la Nuit 03:15	buy track
4.	Fragments d'Etoiles 03:45	buy track
5.	Pulsation 02:56	buy track
6.	Lève-toi 03:05	buy track
7.	Suspens 02:28	buy track
8.	Elle se Fait Mal 01:58	buy track
9.	La Fée Electricité 02:30	buy track
10.	Leyla & Majnun 01:48	buy track
11.	Mots Doux, Reprise 03:28	buy track
12.	Plateau 02:07	buy track
13.	Dans les Yeux 02:57	buy track
14.	Statique 02:53	buy track
15.	Boîte à Musique 04:03	buy track
16.	Strette 03:01	buy track

about

STRIP tells a story of youth. It is a shared vertigo: the fear of emptiness, the fear of death. The characters are ready to do anything to feel alive, and are in search of thrills and adrenaline. They decide to put their bodies in action and test their limits, obeying their impulses and indulging in what is most organic, drive and intimate.
Crossings between spoken words, pop experiments, radio play, electronic protocol: music for STRIP is hybrid, even driving. At the rate of a writing on stage, an album that questions the contours of theater music.

***

STRIP raconte une histoire de jeunesse. C’est un vertige partagé : la peur du vide, la peur de la mort. Les personnages sont prêts à tout pour se sentir vivants, et sont en quête de sensations fortes et d’adrénaline. Ils décident de mettre leurs corps en action et de tester leurs limites, obéissant à leurs pulsions et se laissant aller à ce qu’il y a de plus organique, pulsionnel et intime.
Croisements entre spoken words, expérimentations pop, pièce radiophonique, errance électronique : la musique pour STRIP se veut hybride, voire motrice. Au rythme d'une écriture de plateau, un album qui interroge la musique pour théâtre.

credits

released April 18, 2020

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about

Nicolas Tourney Bordes Uchentein, France

Nicolas Tourney sound works are made of visions, where acoustic phenomena and memory topography shape the listener’s perception of music & noise. His approach invites us to cross appearances, and draws the outlines of an idiom that questions the boundaries of the audible. ... more

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