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We’ve updated our Terms of Use. You can review the changes here.

Enter The Word

by Nicolas Tourney

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1.
Bodka 00:40
2.
Girun 01:05
3.
Rodar 02:47
4.
Karad 00:59
5.
Agmal 03:03
6.
Sapar 00:58
7.
Abeko 03:18
8.
Stans 01:51
9.
Metka 03:48
10.
Gobus 02:10
11.
Egtul 01:35
12.
Tugta 02:10
13.
Lalda 01:51
14.
Mivko 01:37
15.
Neton 02:52
16.
Moteg 02:03
17.
Okbul 03:03
18.
Bekir 01:19
19.
Maker 03:48
20.
Danke 02:58
21.
Rikop 01:56
22.
Tapes 02:25
23.
Kenip 03:48

about

ENTER THE WORD
(speech music & sampling theory)

An album born from a practice that leaves behind fragments of voices, captures, scans, sonic residues that are often considered as forbidden samples.
Questions about our listening habits, our incomplete lexicons.
The never ending recurrence of one sentence : “you should sing on your stuff, it would sell better!”.
Traces, textures, cuts of a formless territory. The residue faces an esthetic choice that allows its existence : typographic fractals, numbers, radio rustling, syllabary, robotic stances, descriptive fragments.
What makes the distinction between music and speech? What makes speaking differ from raw sound but also from meaning?
Enter the word aims to answer to these two questions through listening, by trying to describe the spotter’s wait behind an airport’s fence.

Eg0cide productions, 2019 (ref. eg0_218)

eg0cide.com/2019/10/13/eg0_218-nicolas-tourney-enter-the-word/

credits

released September 8, 2019

license

all rights reserved

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about

Nicolas Tourney Bordes Uchentein, France

Nicolas Tourney sound works are made of visions, where acoustic phenomena and memory topography shape the listener’s perception of music & noise. His approach invites us to cross appearances, and draws the outlines of an idiom that questions the boundaries of the audible. ... more

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